Inferno, Canto 17SummaryGeryon, the monster called up from the Circles of Fraud, alights on the edge of the precipice. While Virgil talks to him, Dante goes to look at the shades of Usurers seated on the Burning Sand, The Poets then mount on Geryon's shoulders and are carried down over the Great Barrier to the Eighth Circle.
The Prepatory LectureQuestions for Reflection
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Canto 17, © Jan Hearn
The ImagesGeryon. In Greek mythology, Geryon was a monster who was killed by Hercules, He was usually represented as having a human form with three heads, or three conjoined bodies; but Dante has given him a shape compounded of three natures - human, bestial, and reptile. In the allegory, he is the image of Fraud, with “the face of a just man” and an iridescence of beautiful colour, but with the paws of a beast and a poisonous sting in his serpent’s tail - an image which scarcely calls for interpretation.
The Usurers. These, as we have seen, are the image of the Violent against Nature and the Art derived from Nature; they sit looking upon the ground, because they have sinned against that and against the labour that should have cultivated its resources. The old commentator Gelli observes brilliantly that the Sodomites and Usurers are classed together because the first make sterile the natural instincts which result in fertility, while the second make fertile that which by its nature is sterile - i.e. they “make money breed”. More generally, the Usurers may be taken as types of all economic and mechanical civilizations which multiply material luxuries at the expense of vital necessities and have no roots in the earth or in humanity. Mark Vernon's Lecture |